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ChatGPT launches boom in AI-written e-books on Amazon

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SAN FRANCISCO: Until recently, Brett Schickler never imagined he could be a published author, though he had dreamed about it. But after learning about the ChatGPT artificial intelligence program, Schickler figured an opportunity had landed in his lap.

“The idea of writing a book finally seemed possible,” said Schickler, a salesman in Rochester, New York. “I thought ‘I can do this.'”

Using the AI software, which can generate blocks of text from simple prompts, Schickler created a 30-page illustrated children’s e-book in a matter of hours, offering it for sale in January through Amazon.com’s self-publishing unit.

In the edition, Sammy the Squirrel, crudely rendered also using AI, learns from his forest friends about saving money after happening upon a gold coin. He crafts an acorn-shaped piggy bank, invests in an acorn trading business and hopes to one day buy an acorn grinding stone.

Sammy becomes the wealthiest squirrel in the forest, the envy of his friends and “the forest started prospering,” according to the book.

“The Wise Little Squirrel: A Tale of Saving and Investing,” available in the Amazon Kindle store for $2.99 — or $9.99 for a printed version — has netted Schickler less than $100, he said. While that may not sound like much, it is enough to inspire him to compose other books using the software.

“I could see people making a whole career out of this,” said Schickler, who used prompts on ChatGPT like “write a story about a dad teaching his son about financial literacy.”

Schickler is on the leading edge of a movement testing the promise and limitations of ChatGPT, which debuted in November and has sent shock waves through Silicon Valley and beyond for its uncanny ability to create cogent blocks of text instantly.

There were over 200 e-books in Amazon’s Kindle store as of mid-February listing ChatGPT as an author or co-author, including “How to Write and Create Content Using ChatGPT,” “The Power of Homework” and poetry collection “Echoes of the Universe.” And the number is rising daily. There is even a new sub-genre on Amazon: Books about using ChatGPT, written entirely by ChatGPT.

But due to the nature of ChatGPT and many authors’ failure to disclose they have used it, it is nearly impossible to get a full accounting of how many e-books may be written by AI.

The software’s emergence has already ruffled some of the biggest technology firms, prompting Alphabet and Microsoft to hastily debut new functions in Google and Bing, respectively, that incorporate AI.

The rapid consumer adoption of ChatGPT has spurred frenzied activity in tech circles as investors pour money into AI-focused startups and given technology firms new purpose amid the gloom of massive layoffs. Microsoft, for one, received fawning coverage this month over its otherwise moribund Bing search engine after demonstrating an integration with ChatGPT.

But already there are concerns over authenticity, because ChatGPT learns how to write by scanning millions of pages of existing text. An experiment with AI by CNET resulted in multiple corrections and apparent plagiarism before the tech news site suspended its use.

Threat to ‘real’ authors?

Now ChatGPT appears ready to upend the staid book industry as would-be novelists and self-help gurus looking to make a quick buck are turning to the software to help create bot-made e-books and publish them through Amazon’s Kindle Direct Publishing arm. Illustrated children’s books are a favorite for such first-time authors. 

On YouTube, TikTok and Reddit hundreds of tutorials have spring up, demonstrating how to make a book in just a few hours. Subjects include get-rich-quick schemes, dieting advice, software coding tips and recipes.

“This is something we really need to be worried about, these books will flood the market and a lot of authors are going to be out of work,” said Mary Rasenberger, executive director of writers’ group the Authors Guild. Ghostwriting — by humans — has a long tradition, she said, but the ability to automate through AI could turn book writing from a craft into a commodity.

“There needs to be transparency from the authors and the platforms about how these books are created or you’re going to end up with a lot of low-quality books,” she said.

One author, who goes by Frank White, showed in a YouTube video how in less than a day he created a 119-page novella called “Galactic Pimp: Vol. 1” about alien factions in a far-off galaxy warring over a human-staffed brothel. The book can be had for just $1 on Amazon’s Kindle e-book store. In the video, White says anyone with the wherewithal and time could create 300 such books a year, all using AI.

Many authors, like White, feel no duty to disclose in the Kindle store that their great American novel was written wholesale by a computer, in part because Amazon’s policies do not require it.

When asked for comment by Reuters, Amazon did not address whether it had plans to change or review its Kindle store policies around authors’ use of AI or other automated writing tools. “All books in the store must adhere to our content guidelines, including by complying with intellectual property rights and all other applicable laws,” Amazon spokeswoman Lindsay Hamilton said via email.

A spokeswoman for ChatGPT developer OpenAI declined to comment.

From conception to publication in just hours

Amazon is by far the largest seller of both physical and e-books, commanding well over half of sales in the United States and, by some estimates, over 80% of the e-book market. Its Kindle Direct Publishing service has spawned a cottage industry of self-published novelists, carving out particular niches for enthusiasts of erotic content and self-help books.

Amazon created Kindle Direct Publishing in 2007 to allow anyone to sell and market a book from their couch without the hassle or expense of seeking out literary agents or publishing houses. Generally, Amazon allows authors to publish instantly through the unit without any oversight, splitting whatever proceeds they generate.

That has attracted new AI-assisted authors like Kamil Banc, whose primary job is selling fragrances online, who bet his wife he could make a book from conception to publication in less than one day. Using ChatGPT, an AI image creator and prompts like “write a bedtime story about a pink dolphin that teaches children how to be honest,” Banc published an illustrated 27-page book in December. Available on Amazon, “Bedtime Stories: Short and Sweet, For a Good Night’s Sleep” took Banc about four hours to create, he said.

Consumer interest so far has been admittedly sleepy: Banc said sales have totalled about a dozen copies. But readers rated it worthy of five stars, including one who praised its “wonderful and memorable characters.”

Banc has since published two more AI-generated books, including an adult colouring book, with more in the works. “It actually is really simple,” he said. “I was surprised at how fast it went from concept to publishing.”

Not everyone is blown away by the software. Mark Dawson, who has reportedly sold millions of copies of books he wrote himself through Kindle Direct Publishing, was quick to call ChatGPT-assisted novels “dull” in an email to Reuters.

“Merit plays a part in how books are recommended to other readers. If a book gets bad reviews because the writing is dull then it’s quickly going to sink to the bottom.”

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The HBO program will uncover the name of the founder of Bitcoin.

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The person responsible for creating the digital money will be made clear in the documentary “Money Electric: The Bitcoin Mystery,” which is directed by Cullen Hoback.

Hoback will traverse the globe in the HBO documentary, which premieres on Max on October 8, in an attempt to identify the enigmatic figure behind the money.

“In Money Electric: The Bitcoin Mystery, intrepid filmmaker Cullen Hoback dives into one of the most enduring and high-stakes mysteries in technology and finance: the origins of Bitcoin and the identity of its anonymous creator, Satoshi Nakamoto,” according to the subtitle of the documentary.

“Bitcoin today poses a challenge to the global financial system, prompting countries to reevaluate the fundamental nature of money as Satoshi might become the richest person on the planet, more than 10 years after his absence. Known for using digital forensics to unearth covert movements and subcultures, Hoback playfully reveals Bitcoin’s wild beginnings and quick ascent while immersing himself with important figures and unearthing never-before-seen hints. Hoback meets people who might be Satoshi in Money Electric, which presents an exciting, global inquiry into the motivations of the mysterious creator of Bitcoin. The goal is to uncover who is in charge and what they might accomplish with Bitcoin if it were integrated into everyday life.

Hoback is well-known for his in-depth investigative films. In the 2021 movie “Q: Into the Storm,” he examined the QAnon conspiracy theory.

Investigating a chemical spill that “spirals into an indictment of the entire system meant to protect drinking water, revealing cover-ups at the highest levels of government,” he published “What Lies Upstream” in 2017.

Noteworthy among the people who have been credited with creating Bitcoin over the years are software engineer Hal Finney, computer scientist Nick Szabo, and Australian cryptographer Craig Wright.

But as of yet, nobody has been able to provide solid evidence to support their assertion that they have discovered Satoshi Nakamoto’s genuine identity.

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Facebook Content Monetization Program is launched by Meta

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Meta has introduced a new monetization program designed to streamline and enhance income prospects for content providers on its platform.

The Facebook Content Monetization beta, unveiled on October 2, 2024, consolidates three pre-existing monetization schemes into a unified, efficient framework.

Meta, the parent company of Facebook, has announced that the new program integrates In-stream advertisements, advertisements on Reels, and the Performance Bonus into a singular revenue structure. This unification seeks to facilitate money generation for producers across many content formats, including Reels, extended films, photographs, and textual posts.

The news is part of Facebook’s continuous initiatives to assist content creators on its platform. Meta indicates that since the launch of Facebook-funded monetization in 2017, over four million content producers have generated revenue using the platform.

Substantial Increase in Creator Compensation

Meta revealed that over the past year, Facebook has compensated content providers in excess of $2 billion for videos, reels, photographs, and text posts. Payouts for reels and short videos have significantly increased, rising by almost 80% during this timeframe.

Streamlining the Monetization Procedure

The newly introduced Facebook Content Monetization tool tackles a significant difficulty encountered by authors. Historically, diverse monetization programs had discrepancies in availability, qualifying criteria, and enrollment procedures. This intricacy led to certain creators missing possibilities or being ineligible to profit from all available forms.

Meta’s data indicates that around one-third of monetized authors on Facebook benefit from multiple Facebook-funded programs. The newly unified program seeks to augment this figure by streamlining the process and broadening income prospects.

Mechanism of the New Program

Within the Facebook Content Monetization test, creators will require participation in a single program to monetize various content forms. The application will deliver a cohesive array of analytics for monitoring performance across various content categories.

Meta asserts that the compensation structure for the new program is consistent with the current performance-based frameworks employed in Ads on Reels, In-Stream Ads, and the Performance Bonus. Compensation will remain linked to the performance of qualifying content.

Eligibility and Implementation

The preliminary stage of the beta program is restricted to invited participants only. Meta has been dispatching invitations to one million creators currently generating revenue on Facebook. The corporation intends to persist in dispatching invites in the upcoming months.

Although open registration for the program is anticipated in 2025, Meta is providing creators the chance to indicate their interest in obtaining an early access invitation to the beta. Creators seeking further information and wishing to express their interest may do so using the Facebook for Creators platform.

Effect on Current Programs

Meta has announced that the Facebook Content Monetization initiative will ultimately supplant the existing Ads on Reels, In-Stream Ads, and Performance Bonus programs. The changeover is anticipated to take place in 2025. Participation in the new initiative is voluntary for invited creators during the beta period.

Eligibility for Content

The new program enables the monetization of eligible public films, reels, photographs, and text posts. Creators and their content must follow to Meta’s regulations, including Facebook’s Partner Monetization regulations and Content Monetization Policies, to qualify for monetization.

Enhancing Opportunities for Creators

The launch of Facebook Content Monetization marks a substantial advancement in Meta’s initiatives to assist content creators on its platform. Facebook seeks to attract and maintain a varied array of producers by streamlining the monetization process and broadening revenue opportunities across various content forms.

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A fresh author copyright lawsuit concerning AI training has hit Meta.

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Novelist Christopher Farnsworth has initiated a proposed class-action copyright lawsuit against Meta Platforms (META.O), alleging that the technology company has improperly utilized his works, among with others, to train its Llama artificial intelligence large language model.

Farnsworth asserted in the complaint filed on Tuesday that Meta provided Llama, the technology behind its AI chatbots, with thousands of pirated books to train its response to human queries.

Other authors, including as Ta-Nehisi Coates, former Arkansas governor Mike Huckabee, and comic Sarah Silverman, have filed analogous class-action lawsuits against Meta in the same court about its purported utilization of their novels for AI training.

Farnsworth’s case, initiated by the prominent class action plaintiffs’ law firm Lieff Cabraser Heimann & Bernstein, follows a federal judge’s admonition of the lead attorney in the prior case and permits distinguished litigator David Boies and additional attorneys from his firm Boies Schiller Flexner to join the plaintiffs’ team.

Representatives for Meta and Farnsworth’s legal counsel at Lieff Cabraser did not promptly reply to inquiries regarding the recent complaint on Wednesday.

Multiple collectives of copyright holders, including authors, visual artists, and music publishers, have initiated legal action against prominent technology firms for the illicit utilization of their creations in the training of generative AI systems.

The businesses contend that their AI training is safeguarded by the copyright doctrine of fair use and that the lawsuits jeopardize the emerging AI industry.

Farnsworth, a resident of Los Angeles, asserted in his lawsuit that his creations were incorporated in a “trove” of illicitly obtained literature utilized by Meta to educate Llama.

He requested the court for an indeterminate sum of monetary damages and an injunction compelling Meta to cease its purported infringement.

The case is Farnsworth v. Meta Platforms Inc, U.S. District Court for the Northern District of California, No. 3:24-cv-06893.

For Farnsworth: Elizabeth Cabraser, Daniel Hutchinson, Reilly Stoler, and Rachel Geman of Lieff Cabraser Heimann & Bernstein

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