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Review: ‘The Legend of Maula Jatt’ has got us saying ‘Nava aya ae sohneya’

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On a sweltering, eerie day in Punjab, a village finds its voice in a brawling young man with a Gandasa. A messiah rises from the ashes in a bid to fight a barbaric, corrupt clan. Behind him is a dark past and ahead of him is a burning desire to avenge the blood of his parents.

A lot of nerves, action and fascination lie before, after and in between the interval of The Legend of Maula Jatt.

While the first-half builds up the motivation of the plot, the latter half peaks with a thrilling climax. What does not change, however, is a continuous effort to mind-boggle the audience.

TLoMJ is a fight of good versus evil. It is a fight of right versus wrong. It is the fight of Maula Jatt versus Noori Natt.

Review: The Legend of Maula Jatt has got us saying Nava aya ae sohneya

It is truly rare for Pakistani cinema to witness a story where the villain is as powerful as the hero. The first was perhaps Younas Malik’s Maula Jatt (1979), where strong character developments gave Pakistani film industry superstars like Sultan Rahi and Musutafa Qureshi. 

And now, amid much hype of Bilal Lashari’s reboot, it is safe to say the magic has been recreated with Fawad Khan and Hamza Ali Abbasi with the support of Mahira Khan, Humaima Malick, Gohar Rasheed and Faris Shafi.

Maybe it is Maula’s hunger for justice, or Mukkho’s unapologetic love for him, maybe it is Noori’s psychosis or Daaro’s fearless aura, but TLoMJ is a movie you would want to watch again.

Review: The Legend of Maula Jatt has got us saying Nava aya ae sohneya

The film does come with its concerns too, and rightfully so. With language being a barrier and an impactful 70’s namesake as the benchmark, Lashari has a lot to debunk.

An advice to cinema goers, however, is to not compare the new version with the original one. While the main plot line remains the same, Lashari has created something miles apart from its predecessor and not just because of technology. It is a generational shift, it is bold and beautiful in its different sense.

Review: The Legend of Maula Jatt has got us saying Nava aya ae sohneya

For those, who do not find themselves well-equipped with understanding of Punjabi, the producers have not let language become a barrier. The movie has subtitles and adapts an easy dialect to simulate the experience.

Another big concern for many Maula Jatt lovers has been the absence of songs in Lashari’s version. People, who have developed a taste for Punjabi films are big advocates of music and insist a cinema experience is truly complete when infused with a range of peppy dance numbers. For all those, the movie serves a crisp background score, a nostalgic script and fascinating visual tricks. While this might not make up for the melodies, it does provide a compelling mix of entertainment.

Review: The Legend of Maula Jatt has got us saying Nava aya ae sohneya

A lot of ups and downs, delays and legal setbacks later, TLoMJ has lived up to, if not surpassed expectations. It is an initiative never seen in Pakistan before. It is truly a labour of love.

It comes amid efforts to revive a cult classic. It may not borrow much from the original, but it brings a life of its own on screen. More than anything, it is a saviour to otherwise struggling Pakistani film industry.

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The Punjab government initiates the ‘Dhee Rani’ initiative for underprivileged couples.

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Punjab Chief Minister Maryam Nawaz has initiated the ‘Dhee Rani’ program to facilitate the wedding ceremonies of disadvantaged couples and alleviate their financial burden.

Applications for this project are being welcomed and may be filed via the internet portal cmp.punjab.gov.pk or the hotline 1312.

A helpline number has been established at the instruction of the Punjab Chief Minister to address any inquiries.

Teams would conduct home visits for candidates to check eligibility, ensuring transparency and fairness in the program.

The newlywed couple would receive Rs100,000 via ATM cards, along with needed furniture, tableware, and clothing.

The government will also provide meals for the couples’ wedding ceremony.

THE AMENDMENT WOULD GUARANTEE PROMPT JUSTICE

The Chief Minister of Punjab praised the 26th amendment to the constitution and commended the nation, asserting that it would guarantee prompt justice.

She asserted that the amendment was essential for the supremacy of law and had reinstated the Parliament’s full constitutional authority and integrity.

Maryam Nawaz asserted that constructive reforms would be implemented in the judicial system, resulting in a more independent and fortified judiciary.

She also praised the Article regarding the elimination of interest in Pakistan.

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Reham Khan’s counsel to Hania Amir between marriage versus career

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Reham Khan has advised renowned actress Hania Aamir of her matrimonial intentions.

She encouraged the actor to put her burgeoning career over matrimony and expressed her hope for her success in Bollywood.

Reham had previously collaborated with Hania in the film Janaan.

She commended the actor’s talent and her progression from producing Dubsmash videos to attaining the status of one of the nation’s most renowned talents.

While advising her, she underscored the significance of maintaining focus on her work, proposing that Hania have the capacity to make an impact in Bollywood as well.

Reham recommended that Hania should not contemplate marriage at this time, emphasizing that this pivotal phase of her profession necessitates concentration and diligence.

Reham remarked, “Hania is an exceptional talent,” noting that her success was anticipated based on her current endeavors.

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Breaking down barriers: The top 5 dramas in Pakistan that focus on the difficulties of women

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In recent years, Pakistani television shows have increasingly concentrated on the adversities encountered by women, providing spectators with insight into their experiences.

Below are five dramas that have adeptly emphasised these significant themes:

Udaari (2016): This innovative play addressed the delicate issue of child protection, centring on a man who jeopardises the safety of his young stepdaughter and niece.

Featuring Urwa Hocane and Farhan Saeed, ‘Udaari’ initiated significant discussions around child protection and the necessity for awareness.

Baaghi: Inspired by the life of model Qandeel Baloch, ‘Baaghi’ depicted the challenges women encounter in claiming their autonomy. The drama depicted Qandeel’s odyssey in a society where conventional norms frequently eclipse women’s rights.

Hadsaa: Inspired by a true event, ‘Hadsaa’ chronicles a woman’s quest for justice following a tragic experience witnessed by her children. The drama underscored perseverance and the significance of advocating for one’s rights, while illustrating the victim’s post-trauma challenges.

Juda: Focused on the emotional odyssey of a lady confronting a difficult marriage, Juda poignantly illustrated the intricacies of love and support, highlighting the fortitude required to pursue an improved existence.

Cheekh: Starring Saba Qamar, this gripping series chronicles a woman’s quest for justice on behalf of her companion. The drama emphasised societal constraints and the importance of championing women’s rights.

These shows not only entertain but also stimulate intelligent discourse on women’s empowerment and social issues, resonating with audiences and fostering awareness.

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