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Let’s talk science and why we need it

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Light travels at a finite speed of 280,000km per seconds – the speed of light. Because the speed is finite, every photon in every ray of light that reaches an eye or camera sensor left its source some time ago. If the object under observation is a few feet away, that time was a tiny fraction of a second ago. If the source is many trillions of kilometres away, the picture that is seen is quite literally of an object as it was billions of years ago. For that reason, it is said that telescopes are time machines.

Last week, the world got its first peek of images captured by the James Webb Space Telescope (JWST), developed over a period of 10 years, launched in December of last year and currently parked more than a million kilometres beyond the orbit of the Moon. Telescopes are also differentiated by the wavelength of the photons of ‘light’ (electromagnetic radiation) they are capable of detecting. The JWST is able to capture visible light and, more critically, improves on the ability to capture infrared light of its older cousin, the Hubble Space Telescope.

Since the beginning of the universe around 13.8 billion years ago, space has been expanding. One effect of that is that the wavelength of light in the visible spectrum emitted by sources in the early universe has been gradually increasing. That light from the earliest of objects in the universe is now in the infrared spectrum, the same kind used by your TV’s remote control. Due to its wider range in the infrared spectrum, the JWST will be able to capture those early photons, which makes it a time machine that will allow us to peer back as much as just 100-250 million years after the Big Bang.

If you think this will give us the earliest picture of the universe yet you are mistaken. That distinction goes to the picture of the Cosmic Microwave Background radiation released in 2012. It goes back to just 380,000 years after the Big Bang, a time when all matter in the universe was so densely packed together that stars, planets and galaxies could not form yet.

The price tag of the JWST has been $10 billion over 10 years, split between the lead partner of the project, NASA, and its European and Canadian counterparts, ESA and CSA.

As many economies around the globe are anticipating entering recessions, some people across the political spectrum are questioning the wisdom in spending this much money on space exploration. To put it in a local perspective, $10 billion over 10 years is comparable (but not equal) to Pakistan’s import bill of tea over the same period. The argument to postpone spending on science because there are more urgent needs at home is a weak one. Such a standard for spending on science and R&D would put all human exploration in the back seat permanently because there will always be competing priorities, and without exploration humans would still be living in caves.

Spending on science is a lot like spending on art. The Covid lockdowns in 2020 drastically curtailed options for activities, which meant that a lot more people were consuming artistic works (film, TV, music, books, games) and which hopefully made everyone appreciate the importance of the artist in society. Perhaps that is something science and art spending have in common – you only realize you need it when you do not have it.

I learnt most of this from following news coverage of the JWST since its launch late last year. In that period, not to my surprise, the contribution of local news sources to my education has been non-existent. Locally, hobbyist astronomer societies in major cities (Islamabad, Lahore, Karachi) organize meetups and viewings for the public around events on the astronomical calendar. Beyond that, however, in the broader media landscape of radio and television, there are few takers for in-depth coverage of this kind of news or science news in general outside the obligatory 30-second bulletin.

But the blame for this cannot be put on the supply side of information alone. For a look at the demand side (media consumers) consider the daily landscape of Pakistani/ Urdu social media which is a barren wasteland almost completely devoid of art, science, and exploration – anything that is not power politics or religion. Follow Pakistani Twitter for a few months and you could be forgiven for believing that the first thought on waking and last thought before sleeping of foreign leaders everywhere is Pakistan, that the world, nay the galaxy, revolves around us. Scroll your newsfeed back by six months, a year, even five years, and the only difference between the conversations you will see will be the cute nicknames the public and the media give political and corruption scandals of the day.

If you doubt that we have an inflated sense of self, may I remind you that just a few days ago our former prime minister declared that angels would hold voters that did not cast their ballot for the PTI accountable in their graves for not supporting him.

There are many good reasons to fund science and exploration and make it figure more prominently in everyday life. They include the economic argument of producing unforeseen yet commercially valuable inventions. Space exploration in particular has the ability to puncture our egos by showing us the relative insignificance of our size (and our problems) relative to the rest of the universe.

A population as science illiterate as ours becomes a target begging to be cheated by any charlatan that comes along. In 2012, Agha Waqar earned himself his own Wikipedia page as well as a spot on its page for “water-fuelled car” by claiming to have built a perpetual motion machine, something I wrote about in an article (‘Charlatans in a science illiterate society, Oct 2, 2016, The News on Sunday). Unable to figure out the impossibility of such a claim, the majority of people were willing to give Agha Waqar’s claims the benefit of the doubt. That was not surprising. However, what was shocking was that in the days to follow he was granted audiences with the country’s leading scientists and engineers, with the media in tow, and none was willing or able to call out the absurdity of his claim (save for one!).

On Oct 21, 2021 the New Yorker published an article titled ‘NASA’s New Telescope Will Show Us the Infancy of the Universe’. It retells an anecdote of Columbia University astronomer David Helfand from the ‘60s back when he was an undergraduate student. A professor asked him how he would justify spending on space exploration in front of Congress. He invoked the economic argument for his answer to which his professor replied it was the wrong answer. He said that the study of the universe is “like opera, or poetry” because exploration is “what distinguishes us as humans.” And so, while there are many valid reasons to explore the world we live in (economic, the ability to not be taken in by frauds), the best one is satisfying our human curiosity.

The writer (she/her) is a professional engineer and has a PhD in Education

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In three months, Pakistan’s IT exports increased by 33.54 percent.

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During the first three months of FY 2024-25 (July to September), Pakistan’s IT export remittances hit US$ 876 million, a notable 33.54 percent rise from US$ 656 million during the same period previous year (FY 2023-24).

In a statement, Minister of State for IT and Telecommunication Shaza Fatima Khawaja stated that the amount of money sent home by the export of ICT services was US$ 292 million in September 2024, a 41.7% increase from US$ 206 million in the same month the previous year.

She stated that efforts to make it easier for businesses to conduct business in the nation are the reason why IT exports are rising and that actions are being taken to increase them.

In response to the Prime Minister’s directions, Shaza Fatima stated that the Ministry of IT and Telecommunication, the Pakistan Software Export Board, and the IT industry are dedicated to boosting IT exports with the full assistance of the Special Investment Facilitation Council (SIFC).

A trade surplus of US$ 764 million was recorded by the IT & ITeS sector in the first three months of FY 2024–25, accounting for 87.21 percent of all ICT export remittances.

Over the same period last year, this surplus represents a 36.67 percent gain over US$ 559 million. The services industry as a whole, however, experienced a trade deficit of US$ 699 million during this period.

The largest of all service sectors, ICT export remittances from July to September 2024, were US$ 656 million, followed by “other business services” at US$ 374 million.

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Instagram, WhatsApp, and Reality Labs layoffs are announced by Meta

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Instagram, WhatsApp, and Reality Labs divisions of tech behemoth Meta have all announced layoffs.

Part of the company’s continuous endeavour to match resources with its long-term strategic goals and location plan is the decision that was made on Wednesday.

The long-term goal of the adjustments, according to a statement from Meta, is to keep the business competitive. “Today, a few teams at Meta are making changes to ensure resources are aligned with their long-term strategic goals and location strategy,” said the statement. Though attempts would be made to assist affected staff in securing other opportunities, the corporation stated that although some employees will move to different roles, others may find their positions abolished.

Despite not disclosing the precise number of layoffs, Meta seems to be carrying out CEO Mark Zuckerberg’s “Year of Efficiency,” which he started in the previous year. In an effort to reduce costs overall and shift its attention away from the Metaverse, Meta has eliminated over 10,000 workers since making that announcement.

Curiously, the second quarter’s financial results beat expectations, and this was announced right after the layoffs. That being said, the decision to restructure its virtual reality hardware and software operations was probably influenced by the department’s continued significant losses.

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Adobe unveils the Firefly AI video creator.

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Adobe has enhanced its Firefly Video Model by introducing an AI-driven video generator to augment its creative apps.

The Adobe Firefly Video Model will boost the functionalities of creative tools such as Photoshop, Illustrator, Adobe Express, and Premiere Pro.

Ely Greenfield, chief technology officer of digital media at Adobe, stated, “The adoption of Firefly in our creative applications has been substantial, and it is inspiring to observe how the creative community has utilised it to expand the limits of possibility.” “We are excited to provide creative professionals with additional tools for ideation and creation, all engineered to ensure commercial safety.”

The inaugural Generative Extend tool for Premiere Pro is currently accessible in beta, enabling users to prolong clips by a maximum of two seconds at resolutions of 720p or 1080p at 24 FPS.

Users will furthermore have the capability to utilise the program to augment audio, prolonging sound effects by up to ten seconds.

Furthermore, Adobe is launching two new web-based video production tools: Text-to-Video and Image-to-Video.

These tools are currently accessible in a restricted public beta within the Firefly online application.

According to Adobe, the Firefly Video Model is currently in a restricted public beta on their website.

Individuals wishing to utilise the new tools must currently join the waitlist, while generations remain complimentary during this period.

The company announced that it will provide additional details regarding Firefly AI video generation offerings and pricing following its formal public launch.

The news occurred weeks after Meta introduced Movie Gen, an AI-driven tool for generating realistic movie clips.

The program will utilise a text prompt to produce 16-second films accompanied by synced AI-generated audio.

Meta has stated that Movie Gen will create personalised artificial intelligence videos utilising only one photograph.

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